With an indefinite lockdown looming, I’m making a concerted effort to update the blog more frequently. To that end, here’s a gentle reminder that nominations for the Ringo Awards are well underway. Keep in mind that the nomination period will close on June 25, 2020. If you enjoy either DECADES OF (in)EXPERIENCE and/or MR. BUTTERCHIPS, please consider nominating me for:
• Best Cartoonist
• Best Webcomic
• Best Humor Comic
2020 has arrived and, despite my enduring disappointment with the absence of hoverboards and flying automobiles (thanks Bob Gale!), I continue to forge ahead. Please do not take my lack of updates as anything more than life happening. If you follow me on any other social media platform you’ll already know I have certainly remained productive, which has been somewhat of a chore considering these dark geopolitical times and my wife and I finding ourselves smack dab in the middle of relocating back to the Bay Area. Presented herein are some highlights which occurred over the last few months of blog inactivity.
COMICS FOR THE APOCALYPSE
In late November 2019, I was introduced to the lovely English chap Samuel George London through my good pal Aaron Iara of Effective Nerd. Samuel was nothing short of welcoming and convivial from the get-go. Following a brief email exchange, Samuel and I were able to schedule an interview to accommodate our significant time difference. In the early morning hours (for me) of a weekday morning in late November 2019, Samuel and I engaged in an engrossing chat revolving around my work and which fastidiously chosen comics I would bring along in the event of a cataclysmic asteroid collision—hence the title of his podcast. The episode was posted on December 16th and can be listened to in its entirety on the Comics For The Apocalypse soundcloud. Thanks again to Samuel for having me on the show!
KNOWLEDGEABLE CABBAGE REVIEW
Defiling the Literati closed out 2019 with a laudatory review from Christa Harader, aka Knowledgeable Cabbage. Christa was accommodating enough to fit my collection of magazine comics into their already jam-packed review schedule. Christa’s favorable write-up was greatly appreciated and can be read in full by visiting their website. Here’s a taste of what Christa had to say about Defiling the Literati.
Overall, “Defiling the Literati” works well as a collection of work and an anthology of high-quality pieces. Schumacher’s work carries an acidic bitterness born not of cynicism, but frustrated optimism, and the effect is inspirational as well as entertaining in its own right.
The book is currently for sale in my storeand, for a limited time, offered with free shipping. If you’ve vacillating between whether or not to buy yourself a copy, now would be the optimal time to do so.
A SOBERING REFLECTION
Creatively, the new year was christened with the publication of a highly personal examination of my sordid history with—and current attempts to recover from—alcohol abuse. Moonchild Magazine kindly indulged me and agreed to include the piece in their 6th issue entitled, “We Are Not Broken”. A Sobering Reflection was unleashed upon the world as of 01/2020 and the comic is available to read online for free. Gargantuan amounts of gratitude to Editor-in-Cheif and beautiful soul Nadia Gerassimenko for the encouragement and support throughout this process. Below is an excerpt from the 3-page graphic essay.
MR. BUTTERCHIPS COLLECTION
I have been teasing the release of the Mr. Butterchips book for some time, but I assure you this compendium draws closer and closer to an actual release date. The most I can divulge at this time is that the collection will be comprised of the first 42 individual comic strips, a 22-page standalone story you will not be able to read anywhere else, a few pin-ups from professional friends, and a surprise foreword. Look for an official announcement soon.
DECADES OF (in)EXPERIENCE REACHES 200!
Decades of (in)Experience reached its watershed 200th episode on Friday, 2/21/2020. When Francis Lombard and I embarked on this journey together in October of 2015, I don’t believe either one of us had any preconceived notions as to how long the series would last. Our mindset was simply to break free from the bondage of expectation and tell an engaging, relatable story unencumbered by any particular fad or popular genre. I cannot express how much Francis and I appreciate the encouragement and support garnered over the last 4 years and change. Speaking of support, several comics outlets generously lent their platforms to help Antix Press and I get the word out about this milestone episode:
Spoiler Country: Following a false start due to technical difficulties, Spoiler Country’s “man on the street” Casey Allen and I had a spirited conversation regarding the history of the webcomic and what readers may expect next.
Bleeding Cool: The lovely Lauren Sisselman of Bleeding Cool is a stalwart supporter of indie creators, having even written previously about Decades and Defiling the Literati. In her latest article, Lauren cordially assisted in our efforts to commemorate this particular landmark.
**An interview conducted by Fanbase Press will also be available to read as of March 12, 2020.
As mentioned before, my wife and I are in the midst of relocating. With moving comes all of the necessary preparations such as packing and cleaning. In regards to the latter, I will be selling some original pages in an effort to lighten my load and possibly offset some of the costs moving tends to incur. Available pages come from such books as Benjamin & The Fish (215 Ink, 2011 & Read Furiously, 2016), The Unemployment Adventures of Aqualung (Arcana Studios, 2013), Fame: Tom Daly (Bluewater Productions, 2013), and select pieces from Decades of (in)Experience and Mr. Butterchips.
I’m just getting warmed up. This year promises to deliver new artwork, continued stories documenting the human condition, and with any luck, some BIG announcements. Beware the Ides, and talk at you all soon!
For those who follow me across the social medias, you may have noticed I spent the past weekend exhibiting at the Amazing Las Vegas Comic Con with my buddy and inker extraordinaire, Chris Arrocena. I returned home with a few less books, a few more pounds (so much sumptuous food!), and had a wonderful time meeting new creator friends and a handful of independent comics enthusiasts.
Unfortunately, the convention itself was not without its fair share of inadequacies. Some of the blemishes could have been avoided, some were beyond their control. More on that later.
On Friday the convention floor was open from 3 pm to 8 pm, allowing VIPs and others to get their bearings. Saturday was by far my busiest day sales-wise which was most likely affected by the 10 am to 7 pm hours of operation.
On Sunday, the final day of the show, families attended in droves to have their children get a picture with a Power Ranger or saunter from toy booth to toy booth. Unsurprisingly, my picture book The World’s Crummiest Umbrella was the day’s top-seller. Thank you to the folks who took the time to stop by the booth, chat about my work, and purchase some of my wares!
Our Table At Amazing Las Vegas Comic Con
The People At Amazing Las Vegas Comic Con
My Comic Con Purchases
The Convention – Amazing Las Vegas
I certainly don’t want to dwell on the negative, but the convention itself felt underwhelming and poorly organized. Maybe it was due to my discomfort in extreme heat. Maybe it was my increasing age-inspired misanthropy. Either way, there were foibles galore. The programming schedule was nowhere to be found and the floor layout was so difficult to navigate that several people who came specifically to support our table vocalized their frustrations with trying to locate us. I saw several members of the security team patrolling the floor, which was great, but the show was surprisingly bereft of any official staff.
While obviously beyond the control of the convention, I’ve witnessed a disturbing trend at the larger-scale conventions. Focus has shifted away from indie creators to a staggering interest in collectibles and fan art prints (which are 100% illegal). My pal Brian Fies espoused sentiments regarding the latter I wholeheartedly agree with in a recent post on his site:
I think true fan art is terrific. A kid who loves Iron Man and draws up little pictures, stickers and stuff to sell for a buck a piece is technically violating copyright but should be left alone. They’re expressing their passion for the character. I like passion.
Likewise, comics professionals who’ve made a living drawing these characters should get a pass. Neal Adams defined the look of Batman in the 1970s and for generations to follow. As far as I’m concerned, Mr. Adams can draw and sell all the Batmen he wants.
That’s not what’s going on here. These print peddlers are big commercial operations. They’re not in it for the love of characters or stories, they’re in it because the prints sell. And unlike fandom, booth space at conventions is a zero-sum game. There’s only so much real estate. These big guys crowd out others doing original art with characters and stories they actually created.
It’s hard to feel sorry for giant corporations that own Superman and Indiana Jones. That doesn’t make violating their copyright OK. I don’t think these print emporiums are good for comics, conventions, creators or fans, and I’d really like to see cons crack down on them, maybe with a little encouragement from the true copyright holders and their scary lawyers. Make room for new creative voices producing original material. That’s the real life-blood of the industry and art form.
For this and other creative reasons, I am making the following announcement exclusively here: Unless I am invited as a guest—and let’s be honest, this isn’t bound to occur any time soon—I will no longer be exhibiting at larger comic conventions. Instead, I will be focusing on book fairs where my particular storytelling may be better received.
Decades of (in)Experience is not a bit of light reading before bed but it is an introspective narrative full of sociopolitical commentary, hierarchy questioning and wanderlust. I loved it.
I recommend Decades of (in)Experience to those who can stomach being taken by surprise by a multitude of sensitive topics. Schumacher doesn’t tiptoe around them or soften the blow, he deals them up in a realistic and relatable manner that’s refreshing in a sea of kid-gloved comics.
I love bad puns. If you follow and enjoy my work you should know this about me now before you get too emotionally invested. Speaking of my work, there has been a tremendous amount of activity lately! I truly appreciate all the attention and wanted to round up all that has occurred in the past month or so (plus make a special announcement).
On February 21st I was invited by the Boys & Girls Club of Monterey to corrupt… er, conduct teens through a comics workshop. In the hour that was allotted we discussed the finer points of facial expressions, character design, page layouts, etc., which culminated with each attendee constructing their own one-page comic. Thanks to Jonathan Lupisan for inviting me and I look forward to future classes!
Guest Post on Effective Nerd
Monday the 25th saw the publication of my guest article on the Effective Nerd site. I was solicited to pen a column revolving around the idea of sincerity in one’s work. It was requested that I also briefly touch upon ‘imposter syndrome’ as this all-too-common affliction tends to manifest in a particularly acute manner when your creative endeavors are at their most personal. Below is an excerpt and you can take in the full rant at Effective Nerd.
We break our backs for years, sometimes decades, to establish our own corner of the creative universe only to constantly question the validity of any traction gained. So when does it feel as though you’ve actually triumphed? Unfortunately I don’t have the answer to such an enigmatic query. A favorable outcome to one artistic mind may be but a benchmark along the path to another. As long as you’re satisfied with the work you’re producing, continue to refine your craft, and possibly even make some headway in your field then you’re doing everything in your power to hold yourself accountable. Doubts and anxieties will persist, but when you truly love your craft you’ll find a way to forge ahead.
Multiversity Comics Review
This past Monday Dexter Buschetelli of Multiversity Comics posted a sublimely peppery write-up on Decades of (in)Experience as part of the Webcomics Weekly feature. He classifies it as a “beautiful mess”, further clarifying, “All of this visual competence is the polish on the presentation of the disarranged dishevelment that is Luke’s life.” You can read all about his affinity for the poignancy and dark humor of the webcomic here.
Canned Air Podcast Appearance
The welcoming gentlemen of the Canned Air Podcast hosted a discussion with me on Friday March 8th. As per their format we discussed movies based on video games during their ‘Retro Roundup’ segment, then shifted into an exchange regarding our latest comic/graphic novel reads, and finally sailed into the interview portion of the conversation where I was encouraged to blather on about my work. Which I did. Ad nauseum. Pour a glass of your favorite adult beverage and tune in to this episode at ‘Video Game Movies with a Side of Butterchips‘.
Last, but certainly not least are 2 (count ’em, 2!) appearance announcements. As previously mentioned a few times on my social media pages, this coming Friday and Saturday I have the absolute honor of exhibiting at this year’s Latino Comics Expo in Modesto. This is the premiere American show to feature Latino Creators. Personally, I’m incredibly excited that 2 of the 3 Los Bros Hernandez (Love & Rockets) will be special guests! Their work has been transformational for me and I hope to have the opportunity to thank them in person. The full list of exhibitors and vendors is online here.
And now for the pièce de résistance announcement: I will be exhibiting at Amazing Con Las Vegas in June with my pal, and comics colorist extraordinaire, Chris Arrocena! As with the Latino Comics Expo I’ll have copies of Defiling the Literati, The Unemployment Adventures of Aqualung, and The World’s Crummiest Umbrella on hand along with Mr. Butterchips coffee mugs and stickers, as well as limited edition art prints. I also recently learned this will be the inimitable George Pérez’s last comic convention appearance EVER. Mark your calendars now!
Well, I obviously neglected a few months worth of blogging towards the end of 2018. Going forward I will be using this blog solely for major announcements and appearances. I tend to post far more frequent updates on my Instagramaccount, so be sure to follow me there.
If you’re looking for updates regarding my work with a side of social and political commentary you can follow me on Twitter as well. Anyway, here’s a rundown of the insanity which transpired between August and December of last year. Buckle up, kiddos, it’s quite the missive coming your way…
Marin Comics Fest
For the Marin Comics Fest kickoff, I had the pleasure of spending an afternoon at the new location for the Cartoon Art Museum with my pals Ron Evans (founder of the festival) and Lex Fajardo. Thanks to everyone who stopped by, including my cousins from the North Bay!
Central Coast Pop Expo
October saw the 2nd annual Central Coast Pop Expo converge on the Santa Cruz Beach Boardwalk’s Cocoanut Grove. I exhibited alongside comics pals Ray Zepeda, Jr., Matt & Brittany Loisel, and the inimitable Ace Continuado. I was invited to participate as part of the planning committee for 2019’s show, so I’m looking forward to assisting in making 2019’s show bigger and better!
Effective Nerd Review of Decades of (in)Experience
Schumacher’s writing is poetic. Every line packs a punch.The dry wit paired with brutal introspection leave Luke with a personality of optimistic hopelessness. I know this is oxymoronic, but cognitive dissonance will do that to a person. The potency of these feelings is a testament to Schumacher’s writing style.
Speaking of DECADES OF (in)EXPERIENCE, year 3 wrapped on December 14th, 2018. Antix Press and I could not have come this far without the unwavering love and support of our readers so a resounding thank you to each and every one of you who takes the time to show up for the comic every Friday! Luke Carlin’s misadventures return next Friday, 01/18/2019.
Comic Con Review
On November 30th, COMICON published my first exposé for their website as a response to the Twitter tirade posted by Erik Larsen (Savage Dragon) early in 2018 in which he asserted that “there are very, very few outstanding talents out there who aren’t already working (in the comics industry).” Thanks to Hannah Means-Shannon for her guidance and allowing me to say my piece. Read the article here!
Last, but certainly not least, to cap off an incredibly busy and productive year I exhibited at the 3rd annual Salinas Valley Comic Con. I also has the distinct privilege of speaking on a panel about querying literary agents with new pal and fantasy/steampunk author Angelique S. Anderson. This show only continues to expand and I can hardly wait to see what the attendance may be in 2019! Thanks to everyone who stopped by the table and picked up some books.
Whew! We made it, folks. Thanks for hanging in there. I have so much in store for 2019 so I do hope you’ll continue to follow my creative exploits and help me spread the word about my work like an artistic venereal disease. Hope everyone enjoyed the holidays and I’ll see you at a show (or at least an internet-capable device) near you soon!
I blinked and now we’re nearly through August and past the halfway mark for 2018. I’m dazed, stunned, nauseated, deflated, and surprisingly tenacious amidst a few months of breakneck ups and downs. I’ll spare you the details in an effort for brevity which may have some of you thanking whichever deity you subscribe to for the absence of my typical introductory verbosity. There’s simply too much to get through to muddle the post with a meandering salutation. Buckle the fuck up, because off we go!
Next, I wanted to get some bad news out of the way. Though CW Cooke and I were scheduled to publish our saga THE GUITARIST through Antarctic Press beginning this summer it is no longer to be. We’ll simply chalk it up to creative differences as neither CW or myself saw eye-to-eye with the editor with whom we were set to work. Fret not, fair enthusiasts, for our indomitable—or at the very least pertinacious—spirits drive us to continue our search for a suitable home for this little comic that could. If and when news breaks of us striking a deal, rest assured the announcement will be here posthaste.
Now in it’s third year, DECADES OF (in)EXPERIENCE continues to stampede across the webcomic landscape in its signature whiplash weekly lurches. If you haven’t had the time to follow each and every installment my publisher Antix Press has corralled all entries produced thus far om the archive of apathy site. Feel free to catch up there at your leisure and be sure to bring a friend along to share the depraved wealth! Should further prodding or proof of virtue be necessary you can read a glowing review of the feature from none other than Bleeding Cool here.
This past May I was also invited to provide the cover illustration for the underground punk rock literary magazine Paper and Ink. The 13th installment, Tales From The Bar Side, is brimming with yarns spun about the denizens of “dive bars, shitty pubs, and back alley boozers.” Publisher and editor-in-chief Martin Appleby believed I was the apposite choice to supply artwork. I can’t begin to fathom why. Nab yourself a copy of the May issue (as well as their entire catalog while you’re at it) by visiting their store at https://www.etsy.co/shop/PaperAndInkZine.
Finally, in October I will be one of the guests during the Central Coast Pop Expo held this year at the Santa Cruz Beach Boardwalk. The convention will take place over the weekend of October 20th and 21st, celebrating all areas of pop culture including comics, movies, television, gaming, cosplay and more! Despite my association the event promises to be a family friendly affair. I will do my utmost to refrain from hurling feces, verbal or otherwise, though I can make no such promises for my fellow guests Ace Continuado (Dark Horse, Zenoscope) and Ray Zepeda, Jr. (Tragic Hero Comics Publishing).
Fair morrow (or evening I suppose, depending on which time zone you call home), peeps! I’ve extricated myself from the drafting table long enough to post another update here on the ole’ website. Not only has the pace of projects refused to abate, I now find myself entangled with a couple of secret (though fucking stellar) projects. Seriously, I’m gnawing off my toenails in anticipation of announcing the aforementioned ventures. In all fairness there’s no way to predict when—or even if—said endeavors will come to fruition, so I suppose they may not have been worth mentioning just yet. Oh well. I’ll simply dangle the carrots and watch you shiver with anticipation.
Anyway, the 3rd year of DECADES OF (in)EXPERIENCE continues to barrel forth. Switching to a full page format has certainly been a bit of an undertaking, but it has presented a worthy challenge for my writing and art. Your, the reader’s/fan’s, input is always welcome. Drop me or my publisher Antix Press a line to let us know what you think of this year thus far. If you haven’t as of yet found your way to our dark, licentious corner of the ‘web and needed some prodding, feel free to peruse this article from Bleeding Cool. My debt of gratitude to the wondrous and shiny Lauren Sisselman for the coverage!
That ornery organ grinder monkey, MR. BUTTERCHIPS, also continues his campaign of intellect and snark against the alt-right, gun lobby, homophobes, and stupidity/intolerance in general. His monthly antics can still be found with every new issue of the best damn independent literary magazine in the city of angels, Drunk Monkeys! The magazine is also attempting to become a paying market, so if you can swing a few bucks their way to include more content (and possibly increased installments of MR. BUTTERCHIPS) visit: http://www.drunkmonkeys.us/.
As stated in my previous post, THE GUITARIST, created by C.W. Cooke and myself (with colors by Jeremy Kahn) will be serialized in Antarctic Press‘ revamped Mangazine beginning in July! This is such a treat for us as we’ve wanted to paint the world with this epic comic’s shade of psychedelic since we conceived this rock and roll saga years ago. Preorder your copy here, and/or contact your local comic book shop to request they stock the anthology. Here’s a sneak peek at the cover:
As for the above referenced secret projects, I can only say that there may be a new graphic novel and picture book in the works. That is all I can can reveal. That is all I will reveal. In the meantime,allow your imaginations to roam freely. Will the new graphic novel be a sci-fi erotica? Can the new picture book possibly feature a shroom-dropping goblin? Probably not as those sound like agonizing reads, but I still invite you to speculate away. Once news is available I will post all the grungy details here. Or on Twitter. Or my Instagram. If interested, you can follow me on either of those social media sites @AJSchumacherart.
In the event you may have missed the news, THE GUITARIST (created by C.W. Cooke and myself), has been selected to be serialized in Antarctic Press‘ revitalized MANGAzine. The first section will appear in MANGAzine #1 debuting in July 2018 at none other than San Diego Comic Con.
Thanks to Ben Dunn for bringing us on board and to everyone who supported us along the way! Here’s the official announcement drawn by yours truly and colored by our own Jeremy Kahn.
November has arrived, the imbecile-in-chief has not yet propelled the USA into nuclear war, and the 90° drop into the new year has officially been crested. As the holidays consistently find a way to siphon every ounce of time and energy one may have at the end of the year, I resolved to submit one last entry here to chronicle the vortex of events which have commenced recently (or will be initiated soon). As there is a fucking laundry list to wade through I am opting to spare you all of the garrulous—albeit thoroughly entertaining—introductions I typically regurgitate.
MARIN COMICS FEST
Back in June I was approached by Cartoon Art Museum board member, and longtime friend, Ron Evans about the possibility of designing promotional artwork for a new comic show he was organizing. The inaugural Marin Comics Fest was held between September 10th and 16th featuring a varied collection of North Bay writers and cartoonists including Judd Winick, Brian Fies, Alexis Fajardo, and Thi Bui. In conjunction with San Rafael library, Ron organized lectures and signings held at locations throughout Marin County. Unfortunately I was unable to attend, however I was able to tacitly burden each event via this uncharacteristically innocent logo:
DRUNK MONKEYS INSTALLMENT: SEPTEMBER
Though my main gig for Drunk Monkeys Magazine is producing the monthly misadventures of your that salty simian, MR. BUTTERCHIPS, every now and again the editors enjoy veering away from the norms to assemble a themed issue. Such was the case with September when I was asked to produce a piece for an installment revolving around the concept of Vice & Virtue. As I have long considered writing and art to be both a vice and a virtue at assorted stages of my sordid existence, I opted to craft a page reflecting such a disposition. This teaser should impart an idea as to the overall orbit of my contribution, but you can read ‘Carousel of Creation’ in full here.
DEFILING THE LITERATI
In an effort to compile some wares with which to hock during cons, I decided to assemble the bounty of literary magazine work I had produced between 2016 and 2017. I entitled the resulting smörgåsbord of demented offerings Defiling the Literati in reference to the (mostly) intentional contrary approach I have adopted with regards to crafting stories. Rebellion isn’t my objective, per se, I merely seek to convey relatable anecdotes unencumbered by the flowery, execrable, and ultimately fucking dispensable narratives which too commonly accompanies the writing of today. But I digress. For the time being Defiling the Literati is only available at conventions in which I partake (such as the upcoming Salinas Valley Comic Con), but may be available online soon.
APE (THE ALTERNATIVE PRESS EXPO)
Speaking of conventions, during the weekend of September 23rd and 24th this year I peddled my wares as an exhibitor at the long-running Alternative Press Expo in San Jose. Overall it was a positive – albeit sobering – experience. It helped that my table-mate was good pal and writer extraordinaire Ray Zepeda, Jr. of Tragic Hero Comics Publishing! What was once a bustling, electric gathering of independent artists had dramatically dwindled since the show moved back to San Jose in 2015. The varied swath of Bay Area creators who typically exhibited in years past were noticeably absent. I still enjoyed the opportunity to meet and speak with enthusiasts of the medium. A few were even familiar with my work, which always stupefies me. In addition, I was invited by the event coordinator to speak on a couple of panels expatiating on the topics of storytelling fundamentals and the plight of the independent artist. I highly recommend attending APE and supporting one of the few conventions dedicated solely to underground and alternative creators of comics, animation, ‘zines, collectibles, etc.
BEST OF THE NET NOM
I was humbled, and honestly flummoxed, to learn via an announcement on September 1st that I’d been nominated for a “Best of the Net” award in the non-fiction category. The kind souls of Red Fez literary magazine are the publication which submitted my name for a piece I illustrated. The contribution, entitled Talent Scout, was a collaboration with infamous underground writer John Bennett. Unfortunately I did not have the opportunity to build a rapport with John as he is currently infirmed. Send good vibes his way! If you wish to read the aforementioned selection, you can do so here (add link). Win, lose, or draw, a huge thanks to Doc Sigerson and the Red Fez team!
INDIGENT PRESS – ENCHILADA FOLLIES
Whilst everyone was paying attention to my comics based slight-of-hand (or completely ignoring me), a new slice of spicy prose stowed away online. Published by my writer pal Charles Joseph’s new literary venture Indigent A La Carte, my short story Enchilada Follies recounts a rather awkward intimate encounter between a husband and wife. Succumbing to one’s atavistic desires whilst whipping up culinary delights which register on the Scoville scale can have dire consequences. There’s jalapeños, humor, and sex! What more can you possibly demand from your fiction? Read the tale of lust and woe here.
INTERVIEWED BY THE GEEKISH CAST
On the morning of Saturday, October 14th I was interviewed by the incomparable Jeremy R. Vilmur of The Geekish Cast podcast. I was introduced to Jeremy and his stellar show via my perennial online promoter and pal, Christopher Ball. When I was asked to round out the panelists for a podcast themed talk at APE, Jeremy came to mind and graciously accepted the invite. I dug the cut of his jib and the feeling must have been mutual as I was soon invited to be a guest on his show. Clocking in at just under the hour mark, our conversation covered a wide range of topics including DECADES OF (in)EXPERIENCE, MR. BUTTERCHIPS, and defining the idea of what it means to be “indie”. Listen to our pithy banter as I battle a woeful deficiency of caffeine. Thanks again to Jeremy for having me on the show! Check the episode out here.
2 YEARS DECADES OF (in)EXPERIENCE!
This Friday marks the 100th episode of your favorite web-based illustrated flash fiction series, DECADES OF (in)EXPERIENCE! It has been quite the ride for the past two years following the trials and tribulations of one Luke Carlin. Francis Lombard (editor of DECADES OF (in)EXPERIENCE) and I have some fairly epic plans in store for year 3 of this slice-of-life roman à clef. You won’t want to miss the season finale this Friday December 1st, 2017 and you can only find the new episodes on the Antix Press website! If you feel like traipsing down memory lane, the archive of apathy can be found here. Thank you to everyone for the support over the past two years! We’ve only just begun…
Welcome to 2017, fellow denizens and reprobates of the internet!
Thanksgiving has come and gone. The holidays have passed along with impressive amounts of flatulence from the gastronomic onslaught of the season. Now as the streets and dumps are littered with the unnecessary carcasses of turkeys and pine trees we here in America brace ourselves for the fascist regime poised to take office in a mere twelve days. In an effort to avoid sending myself or any of you who may have stumbled upon this site into yet another bout of heavy drinking, allow me to focus on some of the creative goings on you may have missed since my last update.
Mr. Butterchips returned to the pages of Drunk Monkeys Magazine on November 11th, 2016 with a commentary on take-home pay. As you may be able to gather from the teaser panel below, our filthy-mouthed friend is none too pleased with the piddly amount earned from his back-breaking days of customer service. The strip can be read in its entirety here.
The “Get In Line” art exhibit ran for the month of December at the 4Word Gallery in Salinas and featured a dizzying array of work from cartoonists including Bridgett Spicer, Betsy Streeter, Ace Continuado, and myself. The opening reception was held on December 3rd, 2016 and after a few glasses of free wine (and shots from the hooch I smuggled in) I grudgingly agreed to pose for some photo ops with my work.
I was honored to be the featured cartoonist in the December issue of Drunk Monkeys published on 12/1/2016 devoted entirely to first-hand accounts from survivors of sexual abuse, in all its forms. All proceeds from the month, collected through either their Patreon donors or one-time donors, was donated to RAINN, the Rape, Abuse, & Incest National Network. This harrowing and beautiful collection of essays, short stories, poems, and art can be read here.
The Salinas Valley Comic Con converged on the campus of Hartnell college over the weekend of December 16th-18th, boasting 30+ vendors, cosplay, and a variety of panels with guests speakers ranging from Lalo Alcaraz (La Cucaracha), Andrew Farago (Cartoon Art Museum), and yours truly. If you weren’t able to attend the con, yet have a burning desire (or is that the chlamydia acting up?) to experience the Indie Cartoonists panel you can do so here. Video courtesy of Sean F. Roney.
I ended the year in morbid style with a parable featuring the character Drunk Death conceived as an occasional foil for DECADES OF (in)EXPERIENCE. If you missed it you can still read the flash fiction piece here.
DECADES OF (in)EXPERIENCE returned to Antix Press on Friday January 6th, 2017. The second year year chronicling the weekly shenanigans of real American dirtbag Luke Carlin kicked off with a bang and promises to hold plenty of the wildly irresponsible life choices you’ve come to know and love from the series. Read the inaugural episode here.
Be sure to catch up on the archives from the first year of DECADES OF (in)EXPERIENCE as they will be disappearing soon to make way for the new year. A print collection of year one will hopefully be in the works soon and my publisher Antix Press is also in the process of producing some merchandise. Stay tuned for announcements…
My mantra for this year: Bitch less. Rage more. If you’re lucky enough to live in one of the states which has legalized its use, a healthy and frequent dose of weed doesn’t hurt either.