With a competent administration once again displaying how leadership should work and vaccines being disseminated, I am for the first time in nearly half a decade hopeful for the immediate future. I never thought I would miss book signings and conventions, but times are strange. Speaking of which, I’m doing my best to remain creative in a thoroughly uninspiring era.
THE LATINX COMICS ARTS FESTIVAL
On Friday March 12th I was honored to be a panelist during this year’s Latinx Comics Art Fest! I participated on the Storytelling Across Mediums roundtable, moderated by Dr. Frederick Luis Aldama. Other speakers included my pal Jaime Crespo, Candy Briones, and Carlo A. Flores. Find the conversation in its entirety below.
ADRIAN HAS ISSUES
On March 24th, Adrian King posted our conversation for his tremendous podcast Adrian Has Issues. We realized it was my THIRD appearance on the show and gabbed as friends would about the conclusion of the DECADES OF (in)EXPERIENCE weeklies, the future of MR. BUTTERCHIPS (and other projects), stage diving, and more. Listen to our full exchange on Adrian’s site!
Earlier today I firmed up details with SLG Publishing for the MR. BUTTERCHIPS relaunch. I’m excited to divulge all information soon and hope you’ll join me for this new chapter in the maniacal monkey’s saga, especially if you’ve followed the comic since its debut in 2016!
In the event you missed this on social media, here is the teaser panel I’ve floated around sites like Instagram and Twitter for the past couple of weeks.
I would recommend Mr. Butterchips to fans of political cartoons, boisterous stand-up comedians, and off-beat comic books. If you want a good laugh paired with sharp wit and insight, Mr. Butterchips is for you. — Aaron Iara
One of the best features of this book to me was seeing how the character, setting, and situations evolved over time… By the time I got to the large story that ends the book, I felt a familiarity with things that made the plot hum. — Stergios Botzakis
Mr. Butterchips is both a funny and important chronicle of just how insane the world is right now. Maybe buy one for your asshole uncle who keeps saying that Black Lives Matter is a “Marxist movement” and that you should “do your research.” — E. A. Henson
See why E. A. found A COLLECTION OF CANTANKEROUS COMMENTARY to be “easily one of the most traumatic reading experiences I’ve had in recent memory” at the Biff Bam Pop! site.
Interview requests are surprisingly mounting as well. The unsuspecting hosts must not have been subjected to any of my previous guest spots. If you’d like to whet your whistle for future conversations to come, or simply have some masochistic need to hear me prattle on about my cartoon capuchin comrade, there happen to be a couple of sardonic symposiums available for your enjoyment!
Ben and Matt of Imaginary Ramblings chatted with me for the better part of an hour as our discourse winded its way through a variety of topics including drunken misadventures, the current satirical landscape, as well as our furry and frenzied friend, MR. BUTTERCHIPS. Listen to our discussion in its entirety on their Podbean site.
Shortly after expelling my self-aggrandizing bile all over the fellows of Imaginary Ramblings, Chris Osborne of Play Comics Podcast was gracious enough to offer me some precious airtime as well. I’ve been lucky enough to have connected with the majority of podcast hosts with which I’ve had the pleasure of speaking and this exchange is no different! Luckily Chris was a fan and showered me with the praise every artist’s fragile ego requires. Hear our tête-à-tête by visiting the Play Comics site.
And remember, you can join these shiny happy people in welcoming MR. BUTTERCHIPS into your home today!
Visit my dedicated book page for all of the convenient ways to purchase A COLLECTION OF CANTANKEROUS COMMENTARY now.
DECADES OF (in)EXPERIENCE COLLECTIBLE
Here’s a peek at a groovy collectible coming soon from Antix Press and myself. The maestro behind this little beauty is Nick Littlefield, aka youareplayerone.
As I’m looking to earn some extra dinero during my pandemic sabbatical, I’ve opened up a few slots for commissioned art. Prices begin at $40 for a simple, one-character illustration. If interested, please drop me a line at email@example.com to discuss. Here are a couple of the more recent pieces I produced:
Thanks and hope you’re all healthy! 75 days to go…
The summer heat is on and 2020 continues to prove itself as one of the most exasperating years in recent memory. I could go into some long-winded diatribe about politics, intolerance, pandemics, etc., but there has been a number of positive developments for me on which I would much rather focus for the sake of this post.
This is just a quick THANK YOU to everyone who took the time to nominate me for a Ringo Award. Whether this will lead to a place on the final ballot remains to be seen, but this doesn’t diminish my gratitude for all of your efforts and support!
STIMOLA LIVE TUTORIAL
On June 2nd, 2020 my tutorial ANATOMY OF A COMICS PAGE debuted on the Stimola Live YouTube channel as part of the Stimola Literary Studio‘s initiative to provide content for families while on lockdown. Over the course of the just over 10-minute presentation I run through the basics of what comprises a graphic novel/comics page including layout, directing the eye, panel placement, and more! You can find my tutorial along with a plethora of educational and entertaining videos on the Stimola Live Channel‘s page.
MYTHIC PICNIC TWEET STORY
At Mythic Picnic‘s behest I submitted a 3-panel comic to the “Twitter-ary” Magazine’s competition. I was delighted to find that my contribution, SUPERHUMAN LOSS, ended up taking the $250 second place prize. My tweet story was a reflection on the unexpected 2018 loss of my beloved sister-in-law. Below is an excerpt from the short piece.
THE COMIC BOOK YETI – DECADES OF (in)EXPERIENCE RETROSPECTIVE
During March of this year, amidst growing Coronavirus concerns and my impending relocation, I was invited by Matt Ligeti (The Comic Book Yeti) to provide a bit of a retrospective on my webcomic DECADES OF (in)EXPEREINCE. As Antix Press and I published the landmark 200th episode in February of 2020, my article was a celebration of our enduring partnership and the temerity (pertinacity?) involved to even reach such milestone. With nearly 5 years behind us I do hope you’ll give my comic communique, Half a Decade of (in)Experience, a read.
As I won’t be able to sell the books at trade shows or in-store signings any time soon, any and all shares regarding the book’s release are appreciated! Please feel free to contact me should you be interested in a personalized copy.
Should further convincing be required, you can read THIS spoiler-free review from my pal Aaron Iara of Effective Nerd.
Speaking of the MR. BUTTERCHIPS book, promo mode has now commenced. As such, I have started the rounds being interviewed on several indie comics podcasts beginning with Bry-Fy the Comics Guy. The chat was a pleasure and I hope you’ll all enjoy our conversation.
For those who follow me across the social medias, you may have noticed I spent the past weekend exhibiting at the Amazing Las Vegas Comic Con with my buddy and inker extraordinaire, Chris Arrocena. I returned home with a few less books, a few more pounds (so much sumptuous food!), and had a wonderful time meeting new creator friends and a handful of independent comics enthusiasts.
Unfortunately, the convention itself was not without its fair share of inadequacies. Some of the blemishes could have been avoided, some were beyond their control. More on that later.
On Friday the convention floor was open from 3 pm to 8 pm, allowing VIPs and others to get their bearings. Saturday was by far my busiest day sales-wise which was most likely affected by the 10 am to 7 pm hours of operation.
On Sunday, the final day of the show, families attended in droves to have their children get a picture with a Power Ranger or saunter from toy booth to toy booth. Unsurprisingly, my picture book The World’s Crummiest Umbrella was the day’s top-seller. Thank you to the folks who took the time to stop by the booth, chat about my work, and purchase some of my wares!
Our Table At Amazing Las Vegas Comic Con
The People At Amazing Las Vegas Comic Con
My Comic Con Purchases
The Convention – Amazing Las Vegas
I certainly don’t want to dwell on the negative, but the convention itself felt underwhelming and poorly organized. Maybe it was due to my discomfort in extreme heat. Maybe it was my increasing age-inspired misanthropy. Either way, there were foibles galore. The programming schedule was nowhere to be found and the floor layout was so difficult to navigate that several people who came specifically to support our table vocalized their frustrations with trying to locate us. I saw several members of the security team patrolling the floor, which was great, but the show was surprisingly bereft of any official staff.
While obviously beyond the control of the convention, I’ve witnessed a disturbing trend at the larger-scale conventions. Focus has shifted away from indie creators to a staggering interest in collectibles and fan art prints (which are 100% illegal). My pal Brian Fies espoused sentiments regarding the latter I wholeheartedly agree with in a recent post on his site:
I think true fan art is terrific. A kid who loves Iron Man and draws up little pictures, stickers and stuff to sell for a buck a piece is technically violating copyright but should be left alone. They’re expressing their passion for the character. I like passion.
Likewise, comics professionals who’ve made a living drawing these characters should get a pass. Neal Adams defined the look of Batman in the 1970s and for generations to follow. As far as I’m concerned, Mr. Adams can draw and sell all the Batmen he wants.
That’s not what’s going on here. These print peddlers are big commercial operations. They’re not in it for the love of characters or stories, they’re in it because the prints sell. And unlike fandom, booth space at conventions is a zero-sum game. There’s only so much real estate. These big guys crowd out others doing original art with characters and stories they actually created.
It’s hard to feel sorry for giant corporations that own Superman and Indiana Jones. That doesn’t make violating their copyright OK. I don’t think these print emporiums are good for comics, conventions, creators or fans, and I’d really like to see cons crack down on them, maybe with a little encouragement from the true copyright holders and their scary lawyers. Make room for new creative voices producing original material. That’s the real life-blood of the industry and art form.
For this and other creative reasons, I am making the following announcement exclusively here: Unless I am invited as a guest—and let’s be honest, this isn’t bound to occur any time soon—I will no longer be exhibiting at larger comic conventions. Instead, I will be focusing on book fairs where my particular storytelling may be better received.
Decades of (in)Experience is not a bit of light reading before bed but it is an introspective narrative full of sociopolitical commentary, hierarchy questioning and wanderlust. I loved it.
I recommend Decades of (in)Experience to those who can stomach being taken by surprise by a multitude of sensitive topics. Schumacher doesn’t tiptoe around them or soften the blow, he deals them up in a realistic and relatable manner that’s refreshing in a sea of kid-gloved comics.
What a whirlwind of a weekend at Latino Comics Expo! I’m far too exhausted to be verbose, so what follows is a succinct account of goings-on over the past few days. We arrived Thursday evening with sleep-deprived senses of humor and boxes of merch to pawn off on the unsuspecting con-goers.
The show itself commenced on Friday, which was arguably the busier day sales-wise. That said, Saturday was absolutely bustling due to the incredible guests and low rider show scheduled to coincide with the comics expo.
A beautifully curated display of artwork by some of the exhibitors and vendors stood as guardians over the convention floor entryway.
The weekend wouldn’t have been complete without meeting 2 of my longtime influences, Jaime & Gilbert Hernandez. Sorry for the blur… I have a shitty phone. The moment was captured though, which is all that matters in my opinion.
All in all, well worth the trip. I hocked some books, had some chuckles, and met a few new enthusiasts of my work. Finally, a huge shout-out to the Kranzman family who so generously put me up (and put up with me)! They even introduced me to a delectable new coffee roasting company.
I love bad puns. If you follow and enjoy my work you should know this about me now before you get too emotionally invested. Speaking of my work, there has been a tremendous amount of activity lately! I truly appreciate all the attention and wanted to round up all that has occurred in the past month or so (plus make a special announcement).
On February 21st I was invited by the Boys & Girls Club of Monterey to corrupt… er, conduct teens through a comics workshop. In the hour that was allotted we discussed the finer points of facial expressions, character design, page layouts, etc., which culminated with each attendee constructing their own one-page comic. Thanks to Jonathan Lupisan for inviting me and I look forward to future classes!
Guest Post on Effective Nerd
Monday the 25th saw the publication of my guest article on the Effective Nerd site. I was solicited to pen a column revolving around the idea of sincerity in one’s work. It was requested that I also briefly touch upon ‘imposter syndrome’ as this all-too-common affliction tends to manifest in a particularly acute manner when your creative endeavors are at their most personal. Below is an excerpt and you can take in the full rant at Effective Nerd.
We break our backs for years, sometimes decades, to establish our own corner of the creative universe only to constantly question the validity of any traction gained. So when does it feel as though you’ve actually triumphed? Unfortunately I don’t have the answer to such an enigmatic query. A favorable outcome to one artistic mind may be but a benchmark along the path to another. As long as you’re satisfied with the work you’re producing, continue to refine your craft, and possibly even make some headway in your field then you’re doing everything in your power to hold yourself accountable. Doubts and anxieties will persist, but when you truly love your craft you’ll find a way to forge ahead.
Multiversity Comics Review
This past Monday Dexter Buschetelli of Multiversity Comics posted a sublimely peppery write-up on Decades of (in)Experience as part of the Webcomics Weekly feature. He classifies it as a “beautiful mess”, further clarifying, “All of this visual competence is the polish on the presentation of the disarranged dishevelment that is Luke’s life.” You can read all about his affinity for the poignancy and dark humor of the webcomic here.
Canned Air Podcast Appearance
The welcoming gentlemen of the Canned Air Podcast hosted a discussion with me on Friday March 8th. As per their format we discussed movies based on video games during their ‘Retro Roundup’ segment, then shifted into an exchange regarding our latest comic/graphic novel reads, and finally sailed into the interview portion of the conversation where I was encouraged to blather on about my work. Which I did. Ad nauseum. Pour a glass of your favorite adult beverage and tune in to this episode at ‘Video Game Movies with a Side of Butterchips‘.
Last, but certainly not least are 2 (count ’em, 2!) appearance announcements. As previously mentioned a few times on my social media pages, this coming Friday and Saturday I have the absolute honor of exhibiting at this year’s Latino Comics Expo in Modesto. This is the premiere American show to feature Latino Creators. Personally, I’m incredibly excited that 2 of the 3 Los Bros Hernandez (Love & Rockets) will be special guests! Their work has been transformational for me and I hope to have the opportunity to thank them in person. The full list of exhibitors and vendors is online here.
And now for the pièce de résistance announcement: I will be exhibiting at Amazing Con Las Vegas in June with my pal, and comics colorist extraordinaire, Chris Arrocena! As with the Latino Comics Expo I’ll have copies of Defiling the Literati, The Unemployment Adventures of Aqualung, and The World’s Crummiest Umbrella on hand along with Mr. Butterchips coffee mugs and stickers, as well as limited edition art prints. I also recently learned this will be the inimitable George Pérez’s last comic convention appearance EVER. Mark your calendars now!
As of 1/18/2019, DECADES OF (in)EXPERIENCE kicked off year numero 4! I’m amazed by how far this webcomic has progressed and assure you all that Antix Press and I have a lot more in store for our hapless every(person), Luke Carlin. Episode 2 was served up piping hot as of Friday, January 25th and you can catch it now by visiting my publisher’s site here. In the event you haven’t already, be sure to catch up on year 3 which is still online in all its glory at the archive of apathy.
Upcoming Appearance: Latino Comics Expo
I’m also incredibly excited, and immensely honored, to announce I have been invited to exhibit at this year’s Latino Comics Expo in March! A short history: The organizers and I hit it off immediately several years ago while tabling at the Salinas Valley Comic Con and have kept in touch ever since. Spending my formative years in Salinas I have inexhaustible love and respect for Latino culture and art. My boundless gratitude to Theresa Rojas, Javier Hernandez, and Ricardo Padilla for the invite! More info to follow. Hope to see some of you there!
I blinked and now we’re nearly through August and past the halfway mark for 2018. I’m dazed, stunned, nauseated, deflated, and surprisingly tenacious amidst a few months of breakneck ups and downs. I’ll spare you the details in an effort for brevity which may have some of you thanking whichever deity you subscribe to for the absence of my typical introductory verbosity. There’s simply too much to get through to muddle the post with a meandering salutation. Buckle the fuck up, because off we go!
Next, I wanted to get some bad news out of the way. Though CW Cooke and I were scheduled to publish our saga THE GUITARIST through Antarctic Press beginning this summer it is no longer to be. We’ll simply chalk it up to creative differences as neither CW or myself saw eye-to-eye with the editor with whom we were set to work. Fret not, fair enthusiasts, for our indomitable—or at the very least pertinacious—spirits drive us to continue our search for a suitable home for this little comic that could. If and when news breaks of us striking a deal, rest assured the announcement will be here posthaste.
Now in it’s third year, DECADES OF (in)EXPERIENCE continues to stampede across the webcomic landscape in its signature whiplash weekly lurches. If you haven’t had the time to follow each and every installment my publisher Antix Press has corralled all entries produced thus far om the archive of apathy site. Feel free to catch up there at your leisure and be sure to bring a friend along to share the depraved wealth! Should further prodding or proof of virtue be necessary you can read a glowing review of the feature from none other than Bleeding Cool here.
This past May I was also invited to provide the cover illustration for the underground punk rock literary magazine Paper and Ink. The 13th installment, Tales From The Bar Side, is brimming with yarns spun about the denizens of “dive bars, shitty pubs, and back alley boozers.” Publisher and editor-in-chief Martin Appleby believed I was the apposite choice to supply artwork. I can’t begin to fathom why. Nab yourself a copy of the May issue (as well as their entire catalog while you’re at it) by visiting their store at https://www.etsy.co/shop/PaperAndInkZine.
Finally, in October I will be one of the guests during the Central Coast Pop Expo held this year at the Santa Cruz Beach Boardwalk. The convention will take place over the weekend of October 20th and 21st, celebrating all areas of pop culture including comics, movies, television, gaming, cosplay and more! Despite my association the event promises to be a family friendly affair. I will do my utmost to refrain from hurling feces, verbal or otherwise, though I can make no such promises for my fellow guests Ace Continuado (Dark Horse, Zenoscope) and Ray Zepeda, Jr. (Tragic Hero Comics Publishing).
February has already arrived with love (and the odor of this putrescent country) in the air. No need to be disheartened though, my fellow Americans, for I do believe in my heart of hearts that the residents of this nation will drown the reprehensible vocal minority and thwart the attempts of tyranny currently facing us. Seeing as the 24-hour news cycle, social media, the fucking barista at your local coffee shop, etc. all veer towards the political these days, I will attempt to stay on topic. As my plan is to discontinue the use of my personal Facebook page (though a fan page will be moderated by my pal, Chris Ball), I will make a concerted effort to update this blog on a far more regular basis. That said, with the profusion of projects depriving me of sleep these days that chore is easier said than done. Regardless, we’re all here now so let’s catch up.
Quickly… I have a lot to do.
SALINAS VALLEY COMIC CON
Held over the weekend of December 16th and 17th, 2017, my local convention assailed the student center of the community college for two days of comics and cosplay. Unfortunately the regional rags decidedly focused on the superhero aspect of the convention, once again putting on display the public’s tone-deaf comprehension of the breadth and scope of stories told via the comics medium. Moreover, the organizers were quite wonderful and welcoming to all who exhibited. I tabled alongside my writer buddy, Ray Zepeda, Jr. (of Tragic Hero Comics), which made the minimal sales and devisive attitude towards my particular brand of humor tolerable.
DECADES OF (in)EXPERIENCE YEAR 3
With the new year brought a makeover for my anti-hero weekly series published by Antix Press. I discussed the shift with my editor, Francis Lombard, and we both agreed it was an organic evolution which could very well enhance our capabilities to convey the follies of Luke Carlin. Of course, the decision also equated to a more labor-intensive production schedule, but Francis and I have been content with the outcome thus far. It would be great to have some feedback from some of you readers out there! Let us know how you are enjoying (or despising) the new full-page comic strip format. The third year begins in the archive here (episode 1 below), and new episodes are published every Friday on the Antix Press site.
DEFILING THE LITERATI SIGNING
Our local comic shop, Current Comics, invited me to hold a signing for my literary magazine comic collection held on February 10th, 2018. There was a decent turnout, resulting in a number of sales (including a few MR. BUTTERCHIPS coffee mugs). A huge thank you to the store manager Nick Black, who is always tremendous when it comes to supporting local creators, and the comics enthusiasts who took the time to chat and purchase a book!
2018 also brings a new year of monthly diatribes railing against the insanity of modern times from your favorite curmudgeonly Capuchin, MR. BUTTERCHIPS. Thus far he has already lambasted intolerance in all of its expansive vile forms (as seen below) and the bullshit rationale behind the religious freedom rights espoused by the reprehensible illegitimate POTUS and his irretrievably insane evangelical hangers-on. Whatever will he call out next? The only way to find out for certain would be to follow his antics in the literary magazine Drunk Monkeys.
A couple of projects are in production as well, which I must keep under wraps for now. Apologies for the vague posting, but hopefully receiving word on said endeavors will be forthcoming posthaste. As I said, I will do my utmost to keep this blog apprised of any and all new events, announcements, etc. going forward so be sure to check back often. Maybe not that often, but often enough. Thank you to everyone who continues to support my work!
Stay gold, and here’s to another year of spinning yarns!