I blinked and now we’re nearly through August and past the halfway mark for 2018. I’m dazed, stunned, nauseated, deflated, and surprisingly tenacious amidst a few months of breakneck ups and downs. I’ll spare you the details in an effort for brevity which may have some of you thanking whichever deity you subscribe to for the absence of my typical introductory verbosity. There’s simply too much to get through to muddle the post with a meandering salutation. Buckle the fuck up, because off we go!
Next, I wanted to get some bad news out of the way. Though CW Cooke and I were scheduled to publish our saga THE GUITARIST through Antarctic Press beginning this summer it is no longer to be. We’ll simply chalk it up to creative differences as neither CW or myself saw eye-to-eye with the editor with whom we were set to work. Fret not, fair enthusiasts, for our indomitable—or at the very least pertinacious—spirits drive us to continue our search for a suitable home for this little comic that could. If and when news breaks of us striking a deal, rest assured the announcement will be here posthaste.
Now in it’s third year, DECADES OF (in)EXPERIENCE continues to stampede across the webcomic landscape in its signature whiplash weekly lurches. If you haven’t had the time to follow each and every installment my publisher Antix Press has corralled all entries produced thus far om the archive of apathy site. Feel free to catch up there at your leisure and be sure to bring a friend along to share the depraved wealth! Should further prodding or proof of virtue be necessary you can read a glowing review of the feature from none other than Bleeding Cool here.
This past May I was also invited to provide the cover illustration for the underground punk rock literary magazine Paper and Ink. The 13th installment, Tales From The Bar Side, is brimming with yarns spun about the denizens of “dive bars, shitty pubs, and back alley boozers.” Publisher and editor-in-chief Martin Appleby believed I was the apposite choice to supply artwork. I can’t begin to fathom why. Nab yourself a copy of the May issue (as well as their entire catalog while you’re at it) by visiting their store at https://www.etsy.co/shop/PaperAndInkZine.
Finally, in October I will be one of the guests during the Central Coast Pop Expo held this year at the Santa Cruz Beach Boardwalk. The convention will take place over the weekend of October 20th and 21st, celebrating all areas of pop culture including comics, movies, television, gaming, cosplay and more! Despite my association the event promises to be a family friendly affair. I will do my utmost to refrain from hurling feces, verbal or otherwise, though I can make no such promises for my fellow guests Ace Continuado (Dark Horse, Zenoscope) and Ray Zepeda, Jr. (Tragic Hero Comics Publishing).
November has arrived, the imbecile-in-chief has not yet propelled the USA into nuclear war, and the 90° drop into the new year has officially been crested. As the holidays consistently find a way to siphon every ounce of time and energy one may have at the end of the year, I resolved to submit one last entry here to chronicle the vortex of events which have commenced recently (or will be initiated soon). As there is a fucking laundry list to wade through I am opting to spare you all of the garrulous—albeit thoroughly entertaining—introductions I typically regurgitate.
MARIN COMICS FEST
Back in June I was approached by Cartoon Art Museum board member, and longtime friend, Ron Evans about the possibility of designing promotional artwork for a new comic show he was organizing. The inaugural Marin Comics Fest was held between September 10th and 16th featuring a varied collection of North Bay writers and cartoonists including Judd Winick, Brian Fies, Alexis Fajardo, and Thi Bui. In conjunction with San Rafael library, Ron organized lectures and signings held at locations throughout Marin County. Unfortunately I was unable to attend, however I was able to tacitly burden each event via this uncharacteristically innocent logo:
DRUNK MONKEYS INSTALLMENT: SEPTEMBER
Though my main gig for Drunk Monkeys Magazine is producing the monthly misadventures of your that salty simian, MR. BUTTERCHIPS, every now and again the editors enjoy veering away from the norms to assemble a themed issue. Such was the case with September when I was asked to produce a piece for an installment revolving around the concept of Vice & Virtue. As I have long considered writing and art to be both a vice and a virtue at assorted stages of my sordid existence, I opted to craft a page reflecting such a disposition. This teaser should impart an idea as to the overall orbit of my contribution, but you can read ‘Carousel of Creation’ in full here.
DEFILING THE LITERATI
In an effort to compile some wares with which to hock during cons, I decided to assemble the bounty of literary magazine work I had produced between 2016 and 2017. I entitled the resulting smörgåsbord of demented offerings Defiling the Literati in reference to the (mostly) intentional contrary approach I have adopted with regards to crafting stories. Rebellion isn’t my objective, per se, I merely seek to convey relatable anecdotes unencumbered by the flowery, execrable, and ultimately fucking dispensable narratives which too commonly accompanies the writing of today. But I digress. For the time being Defiling the Literati is only available at conventions in which I partake (such as the upcoming Salinas Valley Comic Con), but may be available online soon.
APE (THE ALTERNATIVE PRESS EXPO)
Speaking of conventions, during the weekend of September 23rd and 24th this year I peddled my wares as an exhibitor at the long-running Alternative Press Expo in San Jose. Overall it was a positive – albeit sobering – experience. It helped that my table-mate was good pal and writer extraordinaire Ray Zepeda, Jr. of Tragic Hero Comics Publishing! What was once a bustling, electric gathering of independent artists had dramatically dwindled since the show moved back to San Jose in 2015. The varied swath of Bay Area creators who typically exhibited in years past were noticeably absent. I still enjoyed the opportunity to meet and speak with enthusiasts of the medium. A few were even familiar with my work, which always stupefies me. In addition, I was invited by the event coordinator to speak on a couple of panels expatiating on the topics of storytelling fundamentals and the plight of the independent artist. I highly recommend attending APE and supporting one of the few conventions dedicated solely to underground and alternative creators of comics, animation, ‘zines, collectibles, etc.
BEST OF THE NET NOM
I was humbled, and honestly flummoxed, to learn via an announcement on September 1st that I’d been nominated for a “Best of the Net” award in the non-fiction category. The kind souls of Red Fez literary magazine are the publication which submitted my name for a piece I illustrated. The contribution, entitled Talent Scout, was a collaboration with infamous underground writer John Bennett. Unfortunately I did not have the opportunity to build a rapport with John as he is currently infirmed. Send good vibes his way! If you wish to read the aforementioned selection, you can do so here (add link). Win, lose, or draw, a huge thanks to Doc Sigerson and the Red Fez team!
INDIGENT PRESS – ENCHILADA FOLLIES
Whilst everyone was paying attention to my comics based slight-of-hand (or completely ignoring me), a new slice of spicy prose stowed away online. Published by my writer pal Charles Joseph’s new literary venture Indigent A La Carte, my short story Enchilada Follies recounts a rather awkward intimate encounter between a husband and wife. Succumbing to one’s atavistic desires whilst whipping up culinary delights which register on the Scoville scale can have dire consequences. There’s jalapeños, humor, and sex! What more can you possibly demand from your fiction? Read the tale of lust and woe here.
INTERVIEWED BY THE GEEKISH CAST
On the morning of Saturday, October 14th I was interviewed by the incomparable Jeremy R. Vilmur of The Geekish Cast podcast. I was introduced to Jeremy and his stellar show via my perennial online promoter and pal, Christopher Ball. When I was asked to round out the panelists for a podcast themed talk at APE, Jeremy came to mind and graciously accepted the invite. I dug the cut of his jib and the feeling must have been mutual as I was soon invited to be a guest on his show. Clocking in at just under the hour mark, our conversation covered a wide range of topics including DECADES OF (in)EXPERIENCE, MR. BUTTERCHIPS, and defining the idea of what it means to be “indie”. Listen to our pithy banter as I battle a woeful deficiency of caffeine. Thanks again to Jeremy for having me on the show! Check the episode out here.
2 YEARS DECADES OF (in)EXPERIENCE!
This Friday marks the 100th episode of your favorite web-based illustrated flash fiction series, DECADES OF (in)EXPERIENCE! It has been quite the ride for the past two years following the trials and tribulations of one Luke Carlin. Francis Lombard (editor of DECADES OF (in)EXPERIENCE) and I have some fairly epic plans in store for year 3 of this slice-of-life roman à clef. You won’t want to miss the season finale this Friday December 1st, 2017 and you can only find the new episodes on the Antix Press website! If you feel like traipsing down memory lane, the archive of apathy can be found here. Thank you to everyone for the support over the past two years! We’ve only just begun…